The Atlanta rapper’s fourth album foregrounds personal upheaval, trading genre-hopping for a sustained focus on her relationship with 21 Savage and the birth of their daughter.
The Atlanta rapper’s fourth album foregrounds personal upheaval, trading genre-hopping for a sustained focus on her relationship with 21 Savage and the birth of their daughter.
Charli XCX’s next album arrives in July with a cover that places three unexpected cultural figures, John Cale, Marc Jacobs, and Martin Scorsese, together in a room. The record, titled Music, Fashion, Film, follows her Brat era but follows no predictable script.
Noah Lennox and Pete Kember announce ‘A ? of WHEN’, a record that will bypass streaming entirely in favour of physical formats, downloads, and real world gatherings.
The Scottish producer’s first release of 2025 picks up where last year’s ‘Loner’ left off, threading horn lines through a groove inspired by classic UK dancefloor moments.
The Manchester band confirm a new EP for June via Heist or Hit and share the lead single “Oh Boy,” a track about fractured communication.
The long-running pop festival moved north this summer, bringing a lineup that read like a snapshot of the genre’s current fault lines. Photographer Sophie Vaughan captured the weekend as it happened.
The Let’s Eat Grandma co-founder releases her debut solo album, a record that swaps reflection for punchy, wide-eyed immediacy.
A sold-out London show cemented PinkPantheress as a live force, using theatrical staging and British iconography to bridge her bedroom-pop roots and arena ambitions.
Langdon Hickman’s latest “Mining Metal” intro examines how overexposure to the underground can dull the senses, and why a dose of the mainstream can sharpen our appreciation for the genuinely strange.
The anonymous project lands on Raffaele Pezzella’s label with a debut shaped by broken electronic signals, long drone forms, and a palpable sense of isolation.
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