Mick Jagger sought assurance from producer Andrew Watt that Paul McCartney was the right fit for a fast, overdriven track. McCartney nailed it in ten minutes.
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Mick Jagger sought assurance from producer Andrew Watt that Paul McCartney was the right fit for a fast, overdriven track. McCartney nailed it in ten minutes.
Stephan Laubner’s new triple vinyl album is a world-building exercise from an artist who never stopped believing in the long-form record.
After defeating a defamation lawsuit from sheriff’s deputies, the rapper behind “Because I Got High” is touring as an unlikely civil rights figure—camcorder footage and all.
The Glasgow group films a raw, hometown visual inside the iconic venue, offering a first look at their debut album Picking Petals.
On his second album Alex Moran turns the tension between memory and forward motion into ten songs that feel earned rather than performed.
The Dragonforce and Blue Medusa vocalist continues her longstanding activist work by aligning with a major environmental organization.
The Catalan composer’s self-released record, inspired by Joseph Campbell’s hero’s journey, arrives October 9 and incorporates Balinese gamelan.
At the German retailer’s annual expo, motorized platters, ultra-portable setups, and AI-driven mixing tools pointed to a DJ gear market that refuses to choose between analog feel and digital flexibility.
The EBU will open the song contest to Canada, whose broadcaster has joined the union, even as several European delegations protest Israel’s inclusion and the contest reaches further into Asia.
After resale prices for her first arena run hit thousands, Olivia Dean called out the industry—and Ticketmaster responded with a face-value exchange.
