The 24-track project splits into a psychedelic pop half and a dancefloor half, arriving September 18.
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The 24-track project splits into a psychedelic pop half and a dancefloor half, arriving September 18.
The nonprofit Music in Exile brought six musicians from Australia, Senegal, and Burkina Faso to a studio on Hydra. The resulting album cuts a direct path between West African folk traditions and sharp, present-tense jazz.
The producer and Billie Eilish collaborator offers a pragmatic read of Rubin’s studied vagueness — and why he might downplay his technical knowledge.
Backstage at Governors Ball, the pop artist shuffled through songs and revealed a clear new direction: heavier textures, stranger sounds, and music that feels a little bit wrong.
The Scottish duo returns from a 13-year silence with an album that trades nuclear dread for occult damnation, debuted at a Manhattan church listening session that drew lines around the block.
What began as a conspiracy theory about a rock band’s marketing now reached Metallica’s stage in Budapest, drawing predictable fire from Taylor Swift’s fan base.
Stage & Radio hosts a free party exploring football’s resonance beyond the pitch, with sets from Dr Dubplate, Mixtress, and local selectors.
The Philadelphia siblings return with a full-length built on home-recorded, manic folk-rock, featuring contributions from the Historic New Jersey collective.
The Reykjavík festival adds another wave of artists, blending international names with Icelandic mainstays for its November edition.
A decade after its release, the deliberate violence and sudden gentleness of Jon Hopkins’ Immunity remain a masterclass in electronic production and emotional sequencing.
