A bruised soft-rock offering prefaces a July album steeped in soul, gospel, and self-determination.
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A bruised soft-rock offering prefaces a July album steeped in soul, gospel, and self-determination.
The Japanese producer pairs 23 tracks of angular electronic music with a written manifesto on silence, trauma, and reconstruction.
Ella Williams returns with her fourth full-length under the name, anchored by the single “Reelin” and a sprawling tour schedule that stretches into late 2026.
The network paid an undisclosed fee after the Late Show finale featured Vince Guaraldi’s Peanuts classic without a license—and the rights holder donated the money to charity.
Two decades after her solo debut, Joan Wasser has released a radical re-recording of Real Life, exploring fresh arrangements and sequences in conversation with the Meet Our Makers podcast.
The cult film is the next feature to be adapted for the Las Vegas venue, though no creative team has been attached to the project yet.
The Boise band extends its fall itinerary with Quasi and bassist Melanie Radford’s solo sets supporting.
Four decades later, the album’s precise blend of political disgust and personal bitterness hasn’t faded—it has simply found new targets.
The June 18 ceremony in Chicago will livestream globally, with a cross-generational roster that includes Christina Aguilera, Common, the Roots, and Tems.
Two decades in, the shape-shifting electronics-metal hybrid returns with sharper contrasts and a new vocal presence.
