The new machine swaps M-series silicon for an A18 Pro chip, hitting a price point that could reshape entry-level music production — for those who don’t need pro power.
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The new machine swaps M-series silicon for an A18 Pro chip, hitting a price point that could reshape entry-level music production — for those who don’t need pro power.
A new concert film directed by Garth Jennings and a companion live album document Pulp’s 2025 O2 Arena show, arriving later this year.
The Bilbao-based Polygon Network returns with an album of signal and subtraction—eight segments of experimental electronics that lead the artist rather than the other way around.
The Boston metalcore institution brings its curated festival back to Roadrunner in December with a two-day lineup including Cave In, Chat Pile, Baroness, and a still-unannounced headliner.
The artist who turned self-conscious ugliness into a confrontational pop spectacle has died, leaving behind a persona that was always more complicated than the joke.
Johnny Lynch returns with an album that wraps themes of loss and failure in deceptively bright electronic textures.
The Amsterdam-Berlin duo returns with an eight-minute mini-EP that balances cinematic detail with sparse, drifting atmospheres.
The Los Angeles project led by Nick Anastasakis arrives with a limited edition 7-inch on June 16 that pairs two tracks built around the same conviction. Time is not to be managed or measured. It is to be met with presence and intention. The A side offers a reminder. The B side delivers a push. …
Mark Oliver Everett announces the sixteenth EELS studio album, pairing a worn-down lead single with a philosophy borrowed from Cookie Monster.
All 45 arena dates have sold out, marking a decisive shift in scale for an artist returning to solo headlining after three years.
