The Melbourne instrumental group returns with a 13-track set that folds vintage soul and Italian soundtrack influences into a film without images.
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The Melbourne instrumental group returns with a 13-track set that folds vintage soul and Italian soundtrack influences into a film without images.
ROMBO’s first conversation with a photographer working inside music. Jasper Soloff on first listens, difficult rooms, and the frame that outlives the single.
A closed San Diego dive bar helps explain why concert audiences increasingly seem unprepared for the collective experience.
The once-sealed police interview with Duane “Keffe D” Davis was played for jurors in Las Vegas, offering an unvarnished account of the 1996 drive-by shooting that killed Tupac Shakur.
The Wilco frontman steps in to amplify a Philadelphia songwriter whose retro-tinted indie-pop has quietly built a strong word-of-mouth following.
The band has spent 26 years turning real loss into structure, not decoration. Marrow Deep continues a catalog where mourning is part of the music’s logic.
The North Carolina band Wednesday wrote a song called “Townies.” The Boston band Townies answered with “Wednesday,” released on a Wednesday.
Parton’s recent honors are arriving remotely as health concerns keep the country legend away from in-person events.
The Bristol producer’s first full-length pairs dub weight with restrained arrangements, drawing from bass music and sound-system culture without leaning on genre signifiers.
Carisa Dias and Fidju Kitxora are reshaping Cabo Verdean music by treating colonially suppressed traditions as living material, not museum pieces.
