Bad Skin Turns a Decade of Gigs Into a Clear, Multilingual Statement

The Montreal four-piece follows years of relentless touring with Miss Behave, an album built on sharp hooks, multiple languages, and a live show that never learned to pull its punches.

Bad Skin formed a decade ago in Montreal and did something increasingly rare. They built their reputation by playing everywhere, over and over, until the live show became the point. Singer and rhythm guitarist Dope, lead guitarist Victoria, bassist Star, and drummer Samantha logged the kind of hard miles through Canada, the U.K., Sweden, France, Bulgaria, and the U.S. that leave a band road tested in ways streaming numbers can’t measure.

That grind is finally meeting its recorded counterpart. The four-piece has shared stages with Billy Corgan, Billy Talent, Bad Religion, Goldfinger, and The Romantics. Now their album Miss Behave translates the urgency of those nights into something that holds up on its own. Ricocheting guitars and melodic hooks sit against an urgent backbeat. The songs push messages of independence and empowerment without softening the delivery. Tracks like “We Are the Girls” and “Love Is What We Need” land with the kind of large, memorable choruses that earned the band rotation on SiriusXM, where four of their songs are currently playing.

What sets Miss Behave apart isn’t just the energy. Bad Skin writes in multiple languages, and they do it without it feeling like a gesture. The French-sung “Je m’en Fous” soars. “Coeur Rebelle” hits hard, and it comes with a Spanish-language counterpart, “Corazon Rebelde.” The choice feels natural for a band rooted in a bilingual city, and it expands their reach without losing focus. They also make a habit of pulling songs from unexpected corners of pop history and putting their own stamp on them. A punkified take on ABBA’s “Dancing Queen” and a spunky reworking of Jefferson Airplane’s “White Rabbit” both work because the band treats them like their own.

The new single “Vive Le Quebec” pushes further. It’s an endearing love letter to their home province and might be their sharpest song yet. After a decade of making a dent the old-fashioned way, Bad Skin sounds like a band that finally has the record to match what they’ve been doing on stage all along.

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ROMBO Editorial Staff

ROMBO Editorial Staff

The collective voice behind ROMBO Magazine’s news, reviews, features, and cultural coverage.