During a career-spanning set at the Blue Note in Hollywood, Wyclef Jean revealed plans to release seven genre-specific albums this year, each with seven tracks.
Wyclef Jean walked through a full house at the Blue Note in Hollywood last week, dressed in a white suit and matching wide-brimmed hat, while his band of Haitian rara players eased into Duke Ellington’s “Take the ‘A’ Train.” The entrance set the tone for a 90-minute set that moved from Fugees classics to freestyle raps in multiple languages and a guitar solo lifted behind his head, closing with Caribbean showgirls in feathery carnival wings dancing through the crowd.
“If you’re still sitting down, get out of the Blue Note right now!” he told the audience, later comparing himself to 1930s scat jazzman Cab Calloway. “I’m straight up one of those guys, man. I built the orchestrations and I conduct it. I perform it, and I see it through.”
The show served as a warm-up for a particularly active year. Jean confirmed he is about 80 percent finished with a massive recording project he calls Quantum Leap: seven albums, each focused on a single genre, with seven songs apiece, 49 tracks total. The first, a hip-hop record titled Black Moses after the Isaac Hayes album, arrives via the single “Back from Abu Dhabi,” released in September 2025 with French Montana, Rick Ross, and an intro from Dave Chappelle. Jean plays both guitar and oud on the track.
The remaining albums will dive into reggae (One Night in Kingston), R&B-soul (Grown and Sexy), kompa dance music (Welcome to Haiti: Creole 102), world music (Le Mardi Gras), country (Caribbean Cowboy), and rara jazz (Q). Jean says real musicians from Nashville, Jamaica, and elsewhere anchor the recordings. “This album is what I call the human touch,” he said of Black Moses. “It’s real musicians from Nashville playing on this. It’s real reggae guys from Jamaica. The drumming is real.”
Quantum Leap has been in the works
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