Barack Obama Details Debate-Night Rap Ritual in New Rolling Stone Essay on American Music

The former president writes about listening to Jay-Z and Eminem before debates, and traces a lineage from spirituals to suffrage anthems to civil rights.

In a new essay for Rolling Stone, Barack Obama describes the half‑hour he spent alone before his first presidential debates — not with talking points, but with two specific rap songs. Jay‑Z’s “My 1st Song” and Eminem’s “Lose Yourself” became ritual, played through earbuds in the back of a Secret Service SUV. The former president says the tracks helped the “pomp and circumstance” of the moment dissolve, refocusing him on the people and values that grounded his campaign.

Published as part of the magazine’s “America Now” series, the piece connects that personal habit to a much longer story. Obama moves from the defiant energy of his early underdog candidacy to the role music played in the country’s hardest struggles. Enslaved Africans, he writes, fashioned spirituals that W.E.B. Du Bois called “the articulate message of the slave to the world.” Suffragists repurposed familiar tunes like “Yankee Doodle” to circulate new lyrics without sheet music. Woody Guthrie answered “God Bless America” with “This Land Is Your Land,” insisting the land belonged to the marginalized as much as the privileged.

The civil rights movement becomes the essay’s clearest testament to collective song. “We Shall Overcome” rang through jail cells and church basements — a bond, Obama notes, that no billy club could break. The historical arc ends with Mahalia Jackson’s famous call to Martin Luther King Jr. at the March on Washington, placing the music as a direct force in shaping the dream.

The essay carries none of the distance of a typical political memoir. By showing a president who turned to Jay‑Z to steady his nerves, Obama opens a conversation about how rhythm and refusal run through the American grain. The debut date of the piece — just ahead of the Fourth of July — signals a deliberate framing, but the writing itself doesn’t strain for uplift. It simply lays out a private playlist and a public lineage, asking readers to hear both.

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ROMBO Editorial Staff

ROMBO Editorial Staff

The collective voice behind ROMBO Magazine’s news, reviews, features, and cultural coverage.