The UK artist’s self-released eleven-track set collages found sound, cellular noise, and fractured club electronics into something unmistakably born from concrete and restless nights.
There is a strain of UK electronics that refuses export. Its logic is too tangled with damp geography, layered social strata, and a certain psychological weather. Poppy H’s new album, SICK STREET, lands squarely in that lineage. Self-released and spanning eleven tracks, the record reads less like a genre exercise than an audio-topographical survey of city life as it’s actually lived—scraped together from environmental residue, cellular interference, and postcode memories.
Opener “Thempire” channels the emotional circuitry of classic Detroit futurism, warmth bleeding through machine pressure. Later, “Your Shell” folds into a spectral, rain-streaked atmosphere that echoes 4AD’s most introverted corners. The title track hits like a rogue John Peel transmission—immediate, collapsing, confrontational. Closer “180Punching” detonates into full braindance delirium, a wiry mess of Atari-era bleeps that holds precision inside the chaos.
None of these elements are uniquely British in isolation. Together, they cohere with the strange density of a room held together by smoke, voltage, and mutual insomnia. SICK STREET doesn’t announce itself. It just arrives, sharp and unsentimental, from somewhere you can’t imitate.
Join the Club
Like this story? You’ll love our monthly newsletter.
Thank you for subscribing to the newsletter.
Oops. Something went wrong. Please try again later.





