Keith Urban’s New Album of Covers Deepens Country’s Yacht-Rock Affair

Urban’s latest is almost all smooth covers, but he’s not alone. Charles Kelley’s SiriusXM show and Nashville’s growing fascination suggest the genres share more than an easy-listening impulse.

Keith Urban’s 13th album, Flow State, arrived Friday as a collection of covers that sidestep his usual country-rock lane entirely. Instead, he turns to songs like “Summer Breeze,” “Steal Away,” and “Just the Two of Us,” aided by guests John Mayer, Michael McDonald, and Little Big Town. The project was co-produced by Dann Huff, a session guitarist whose credits include records central to the Eighties yacht-rock canon. Urban has described it as an accidental antidote to stressful times — and he’s tapping a vein that runs quietly through Nashville.

Country’s yacht-friendly undercurrent is becoming more visible. Lady A’s Charles Kelley last month launched Y’all Aboard on SiriusXM’s Yacht Rock Radio, where he plays soft tunes alongside guests like Russell Dickerson and Dustin Lynch. The show, Kelley says, springs from a conviction that country and yacht rock share a lot of DNA: themes of lost love, escapism, and a certain melodic ease. He also just released a rework of his song “Can’t Be Alone Tonight” with Maren Morris, whose crisp keys and smoothed harmonies push it toward adult contemporary — practically docked next door to yacht rock.

The result isn’t a full pivot, but a reminder that some of the most comfortable sounds in country have always been a breeze away from soft rock’s calmer waters.

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ROMBO Editorial Staff

ROMBO Editorial Staff

The collective voice behind ROMBO Magazine’s news, reviews, features, and cultural coverage.