Albums
Hoxsey Keeps the Dead in the Parlor on Ghost We Keep
On the Austin artist’s second album of 2026, carnival brass, industrial panic, and a stolen presidential warning become a private museum of unfinished hauntings.
Editor-in-Chief
Giorgio Watanabe
Reviews
Francy Planet’s Brain Freeze Turns a Parking Lot Slushee Into a Time Machine
Francy Planet’s new single Brain Freeze, out today, turns a Circle K headache in Orangeville into loud, melodic alt-rock about every age arriving at once.
Albums
Corrado Saija Reads the Veil on La Papessa
Six chapters, a mountain lake, and a High Priestess who never speaks. The Brescia composer treats landscape as plot and silence as instrumentation.
Interviews
Watch Me Die Inside in Conversation on Infinity Fall III
The Cyprus-based project of Aleph closes a two-year descent with three tracks that keep the wound in view. A conversation about the rooms built since 2024, the grain of the voice, and what happens when the fall finally points somewhere.
Reviews
Vanessa Moussa Prints the Contact Sheet: A Self-Titled EP of Delay, Rebound, and Small Notes
Written before the lockdown rooms, recorded inside them, then left to sit while life got loud again, the Sydney songwriter’s debut EP finally gathers five tracks that treat love as something you develop slowly, frame by frame.
Reviews
M & J Catch the Morning After on She’s COSMIC light
M & J’s She’s COSMIC light takes a New Year’s Day photograph from Bondi and turns it into two and a half minutes of clean, forward dance-pop.
Reviews
March Fry’s Selfish Leaves the Light On and Takes the Tenderness With It
The London songwriter’s second single from In No Time starts like a shrug and ends like a bruise. What stays is not the confession. It is the temperature of the room after someone has spoken without care.
Reviews
Where the Seals Go Under: Karen Salicath Jamali’s Om Mare Shangri-la
After a decade of dream-received piano, the Danish-born composer lets voice and guitar carry nine songs through water, dark space, and a quiet return.
Albums
Vidura Barrios Counts Time in Sacred Names on Chant!
After two decades of meditation recordings from New York, the Inner Splendor founder treats mantra as a clock of attention, moving from private invocation to communal kirtan and back into stillness.
Reviews
MonDeGos Blind the Rune Singer on Trickster
On Trickster, MonDeGos build a debut from heavy guitars, piano, and recycled masks. The record is restless, sometimes crowded, and more interesting when it stops explaining itself.