Keo Unearth the Light of Dead Stars on ‘Pistol’
The London quartet’s new single excavates the persistence of people and memories long after they’ve vanished, setting the tone for a debut album that trades perfection for candor.
Editor
The London quartet’s new single excavates the persistence of people and memories long after they’ve vanished, setting the tone for a debut album that trades perfection for candor.
A diverse set of co-signs—from AJ Tracey to Bonehead—frames the arrival of a single that refuses genre loyalty.
Frankie Beanie launches his new project by rejecting LA’s “vibes-based” culture, drawing on his Liverpool years to craft something that puts the music first.
During a residency at IRCAM, the ensemble found itself between a space of innovation and striking workers outside. Their album doesn’t romanticize struggle — it lets field recordings, strings, and fragmented poetry hold the tension.
The live document of a sold-out stadium show arrives a day ahead of schedule, accompanied by an online event for fans.
The Australian artist’s sixth LP bridges drum and bass, trip-hop, and dub-inflected new wave without straining for novelty.
FIFA’s first-ever World Cup final halftime show threw together Madonna, BTS, Shakira, Justin Bieber, and more in a frantic 11-minute set that tried to be the Super Bowl but landed somewhere between a charity telethon and a fever dream.
The East Anglian duo add to a growing reputation with a new Polydor release, ahead of festival dates and a European tour supporting Tove Lo.
The comedian’s July 17 show moved 77,047 tickets and became the largest-attended solo comedy gig ever, with hometown acts Meek Mill and Three 6 Mafia joining Dave Chappelle onstage.
The Derby emo revivalists kicked off their first tour since 2013 in Nottingham, carrying the weight of a chaotic final run and the release of a long-awaited third album.