Jesse Welles Traces the Exposed Nerves of a Nation on ‘Masks Off’
The Arkansas songwriter’s sixth album documents social fracture without dictating thought, capturing a moment where performative civility has collapsed.
Editor
The Arkansas songwriter’s sixth album documents social fracture without dictating thought, capturing a moment where performative civility has collapsed.
During his Rough And Rowdy Ways Tour stop in Eugene, Oregon, Bob Dylan performed “I Shall Be Released” for the first time since 2008, ending a set that spanned his own deep catalog and vintage covers.
The drummer and percussionist holds the only remaining tattoo from the band’s original six members, a faded symbol of an era that reshaped American rock.
As Rush returns to the stage with Anika Nilles on drums, Geddy Lee and Paul Gilbert reflect on the chordal invention and rhythmic creativity that made Alex Lifeson essential to the trio’s sound.
In an unguarded speech, Swift traced her path from childhood rewrites to industry battles, thanking her family for the move to Nashville that set it all in motion.
The Tasseomancy member’s second solo single imagines a conversation between the Singing Nun and diarist Etty Hillesum, stripped to a meditative core by producer Meg Duffy.
The singer-songwriter returns June 12 with ‘you seem pretty sad for a girl so in love,’ a record that pushes beyond teenage diaristic pop, produced by Daniel Nigro and spotlighted by over 200 record shops opening at midnight.
The long-running friendship between Kerry Alexander, Chris Hoge, and Elena Carroll solidifies into a new band with an album out this August.
The London producer shifts from 2024’s stark Statik to a brief, grime-inflected single featuring the elusive MC.
The long-running Canadian trio delivered a performance on the “Fifty Something Tour” that acknowledged its past without collapsing into nostalgia.