The Shibuya-kei outlier’s 1994 solo album operates within a narrow, self-imposed set of rules—cheerful melodies that lead somewhere darker, and electroacoustic play that never turns aimless.
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The Shibuya-kei outlier’s 1994 solo album operates within a narrow, self-imposed set of rules—cheerful melodies that lead somewhere darker, and electroacoustic play that never turns aimless.
Racines treat cultural inheritance like pyrophytic seeds. They do not protect roots from the heat of the present. They expose them to it so that something new and more resilient can emerge.
After three years, the Nottingham band confirm their sophomore LP, recorded at JT Soar, and share the single “Stars.”
The duo treat roots as material that must be lifted and set alight. Across nine tracks they build a sound in which voices, percussion and electronics transform each other without losing their distinct character.
Taja Cheek returns with a 13-track follow-up to I Killed Your Dog, out August 14 on Mexican Summer, and a lead single that moves from coiled calm to explosive release.
The singer debuted the Oscar-positioned ballad “I Knew It, I Knew You” before trading verses with the Disney legend on “You’ve Got a Friend in Me.”
Rush’s residency took an ambitious turn on night two as the band performed the complete 20-minute prog epic for the first time in nearly three decades, alongside a drastically reshuffled setlist and a returning Aimee Mann.
Infinite Illumination blends doom, thrash, and classic heavy metal into a cohesive statement that resists genre borders.
Frankie Beanie pairs upbeat handclaps with a post-breakup payoff that is sharper than it sounds.
The record arrives via Third Man Records on 10th July, following an unconventional preview through the label’s behind-the-scenes video series.
Rombo Music Discovery
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