The Kyiv-based artist’s new instrumental work turns a continuous recording of Lviv’s main train station into a meditation on ordinary goodbyes and the uncertainty woven into them.
The Kyiv-based artist’s new instrumental work turns a continuous recording of Lviv’s main train station into a meditation on ordinary goodbyes and the uncertainty woven into them.
The former Freeform artist moves away from brittle electronics into warmer, more meditative ambient territory across twelve new pieces.
The Brooklyn noise-rock trio apply their break-stuff philosophy to physical media, assembling a different sequence of rarities for each edition.
The DAM co-founder is on the road with ‘In the Name of the Father, the Imam and John Lennon,’ testing sequencing and narrative across seven European cities.
The guitarist cites health concerns as the reason for his abrupt departure from the band’s celebration of The Height of Callousness.
A new tutorial reconstructs the multi-oscillator synth patch that gives the track its euphoric pulse, pointing to Minimoog-style architecture as the source.
The Exodus guitarist’s recent reflection cuts through the bravado of thrash metal with a rare moment of personal candor.
The Compton artist follows “Medicine” with another bass-heavy house cut, made with longtime collaborator Nick Sylvester.
The avatar show steers clear of “The Day Before You Came,” a six-minute, chorus‑free song that marks the real end of Abba’s recording career. Its absence points directly to a side of the group mainstream culture has never been able to digest.
The deathcore mainstays bring two cuts from their 2023 album Step Into the Light to the stage in a new clip.
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