Michael and Tanya Trotter question why their sound gets marked as “not country enough” while Morgan Wallen’s country-pop dominates, and explain why they’re choosing a different path.
Michael and Tanya Trotter question why their sound gets marked as “not country enough” while Morgan Wallen’s country-pop dominates, and explain why they’re choosing a different path.
A federal panel found no proof of irreparable harm, calling fundraising fears unsupported. The ruling keeps Trump’s name off the venue while the broader appeal continues.
More than a decade after its debut, the IFC series gets a creator-hosted rewatch that digs into the show’s deeper concerns with community, performance, and absurdity — while its stars remain busy with a Ramones cover band.
The band won’t be at the Los Angeles ceremony this November, and it turns out the Australian tour dates were never the real obstacle.
Geddy Lee and Alex Lifeson return to the stage for the first time in 11 years with a reimagined rhythm section—and every seat at Madison Square Garden is already spoken for.
Hans Joachim Irmler, Jean-Hervé Péron, Gunther Wüsthoff and Werner “Zappi” Diermaier will each release a solo LP on Bureau B, tracing divergent paths from the krautrock group’s collective legacy.
Brian Wilson’s insistence on rewriting the opening line of a new song led to a rare creative clash with lyricist Tony Asher during the Pet Sounds sessions in early 1966.
The Welsh vocalist, born Gaynor Hopkins, leaves behind a signature hit that began as a vampire love song and became one of pop’s most durable power ballads.
The former Cradle of Filth and Dimmu Borgir drummer faces a rare condition with a reported 50% survival rate.
The Scottish singer-songwriter returns with a clear-eyed reflection on how family bonds shift over time, taken from her forthcoming Dirty Hit EP.
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