The songwriter’s session at the legendary London studio offers rare access, focusing on self-sufficiency behind the board.
The songwriter’s session at the legendary London studio offers rare access, focusing on self-sufficiency behind the board.
The track marks Nia Archives’ first-ever album feature and arrives ahead of her forthcoming project ‘Emotional Junglist’.
After a long silence, the independent UK rapper returns with a 14-track album that features Dave and Hak Baker, cementing his reputation as one of the country’s most compelling voices.
Built To Spill and Blood Lemon bassist Melanie Radford steps out with a solo record built on field recordings, deliberate pacing, and bass-centered ambient textures—a quiet refusal of acceleration.
Chez Damier and Jovonn will DJ alongside jayah hasson on July 30, with art installations and live screen printing reframing a West Loop venue as a bridge between house music’s origins and its present.
A leaked database from the Dolan-owned venues reveals a tiered surveillance system categorizing hundreds of public figures, with specific flags noting when musicians were identified as LGBTQIA.
This Friday’s releases center on returns that carry real weight and projects that know exactly what kind of sound and attention they want to hold. Long silences end with evolved statements from The Temper Trap and If These Trees Could Talk. Jack White sharpens his guitar language into something even more direct and physical. Suki …
The Beirut project’s third album in rapid succession opens with a children’s chant for George Bush and fractures language into warnings, slogans, and memories.
Kae Sera returns with The Moon (Sommernacht Remix), a late-night house reworking of her most streamed and most covered track to date. Liverpool-born and London-based, she has built her audience entirely independently, finding listeners across the UK, the US and mainland Europe through quiet, consistent accumulation rather than campaigns or playlists.
Michael and Tanya Trotter question why their sound gets marked as “not country enough” while Morgan Wallen’s country-pop dominates, and explain why they’re choosing a different path.
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