The metalcore veterans pair a stark visual with a full run of European and UK shows, joined by Sanguisugabogg, Blackbraid, and Pupil Slicer.
The metalcore veterans pair a stark visual with a full run of European and UK shows, joined by Sanguisugabogg, Blackbraid, and Pupil Slicer.
The mathcore unit steps into a headlining slot to support a children’s charity, adding a quiet layer to their typically abrasive trajectory.
Morrissey claims the BBC is suppressing his single “Notre-Dame,” but the chart position he cites relies on physical purchases—while streaming figures tell a quieter story.
The Australian deathcore unit sets a course for their first release on BLKIIBLK, with a Metal Injection exclusive vinyl variant already in play.
Forged from a single hour-long improvisation, the Australian band’s 28th album takes their modular synth experiments deeper, with “Level 5” out now alongside a video starring Vince Colosimo.
The nod for “The Dead Dance,” co-written with Andrew Watt and Henry Walter Russell, puts Gaga in contention for her first win at the main Emmys ceremony.
Long before he was a voice actor in Studio Ghibli films or a ubiquitous television personality, Shigeru Izumiya cut one of the most dissonant, quietly radical folk-rock albums of 1970s Japan.
The Durham band’s fifth album, recorded fully analog by Matt Talbott, sinks into a world of Flannery O’Connor grotesquerie and Cormac McCarthy fatalism without offering easy escape.
The electronic pioneers add September dates across the U.S. and Canada, joined by I Speak Machine, as they prepare to close their farewell tour in Europe this October.
Captured between the Irish band’s debut and global breakthrough, the recording features early performances of “Zombie” and more from a group road-testing future hits.
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