The Boston metalcore unit, featuring members of Vein.fm and Fleshwater, detail their first full-length and release a punishing new single.
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The Boston metalcore unit, featuring members of Vein.fm and Fleshwater, detail their first full-length and release a punishing new single.
This Friday’s releases trace artists who work with legacy and reinvention in equal measure. Some expand into high-gloss pop statements or immersive rage worlds that demand sustained attention. Others step into debut territory or precise moments of emotional directness and suburban reckoning. Madonna channels mid-2000s club euphoria into a direct sequel that tests how much …
Three decades on, the Quebec band’s second album remains a punishing, high-velocity statement that still sounds like collapse rendered in sound.
The latest annual update adds practical modulation and sequencing tools, but stem separation and a new vocal synth show that some additions still need work.
The Los Angeles singer-songwriter returns with a collaborative EP that draws from post-punk and indie rock touchstones, marking a sharper turn in his catalog.
The Danish-designed, Far East-built Verve brings a distinctive T-style shape and a mahogany body, but a review unit reveals some assembly issues.
The duo claims the broadcaster falsely labeled them antisemitic for on-stage chants targeting the IDF, turning a political performance into a legal standoff.
The rapper returns to the producer formerly known as Kenny Beats on RX, a project shaped while filming her acting debut and touring last fall. “Cupcake” is the first glimpse.
Adam Weiner’s eighth album as Low Cut Connie turns political anger into something communal, pulling from Fred Rogers and Sly Stone to reclaim joy without softening the message.
The Manchester band’s brooding new cut previews their upcoming debut LP ‘Something Real’, cutting into a tangled subject without sloganeering.
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