The new track draws on a history that predates either artist’s current projects, connecting Glasgow’s guitar underground to London’s theatrical new wave.
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The new track draws on a history that predates either artist’s current projects, connecting Glasgow’s guitar underground to London’s theatrical new wave.
Recorded with Alex Chilton, the long-shelved collection finally arrives August 21 on the restarted Vengeance imprint.
The band sits for a rare retrospective as the album that pushed metalcore into wider visibility turns 20.
Judith Light explains why she immediately said yes to AMC’s horror anthology, and how the series uses monsters to confront real-world neglect of the mentally ill.
Michael (Miki) Watson of fanclubwallet steps out with a self-recorded solo album made on camping trips. Lead single “Motorcycle” arrives with a video and a release date on Lauren Records.
Kristian Matsson returns with the new song “Colors,” his first release since the 2023 album *Henry St.*, alongside a sizable tour routing through Europe and North America.
Ed O’Brien’s solo debut leans into the progressive rock and Brazilian textures his main band never would, guided by producer Paul Epworth and a clear melodic compass.
The Hush-X Live and Live Pro fold a 5-watt speaker, onboard effects, and Bluetooth streaming into a compact instrument built for life on the move.
The second pick in ROMBO’s This Week’s Four open-call series, German duo Glimmer and Fold release “Flying Objects,” a track written during early parenthood that merges personal reawakening with surreal, UFO-tinged imagery and hypnotic indie rock.
The actor turned singer returns with his fourth album, a collection of hard-luck narratives and barroom vignettes that leans on cinematic production over lyrical surprise.
