Across thirteen tracks, the London producer prioritizes texture and dread over dancefloor momentum, building an album that feels more like a mapped territory than a straight club record.
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Across thirteen tracks, the London producer prioritizes texture and dread over dancefloor momentum, building an album that feels more like a mapped territory than a straight club record.
The Brooklyn noise-rock mainstays return with a 79-minute double LP reuniting both former drummers, picking up a thread left dangling since 2011.
The follow-up to 2023’s acclaimed ‘Raven’ trades fluid dreamscapes for a colder, more grounded sound built around bedrooms, street corners, and electric guitar.
With a dozen guest musicians and a richer instrumental palette, Amelia Baker’s fifth Cinder Well album brings depth to her stark, harrowing ballads without losing their intimate core.
Abby Lee Tee returns with an all-beaver record that turns ecological fascination into playful electronic music, incorporating field recordings and chopped-up quotes from researcher Emily Fairfax.
At a Cincinnati show Friday, Bob Dylan introduced yet another guitarist, Memphis-based Jad Tariq, becoming the 36th to join his touring band. The move follows a spate of recent lineup changes.
Two decades after Confessions on a Dance Floor, the sequel becomes her tenth Billboard 200 leader and makes her the only act with number-one albums in the 1980s, 2000s, 2010s, and 2020s.
The Guatemalan boyband contrasts sunlit alt-pop with a sudden industrial collapse, tracing the friction between digital mediation and human connection.
The producer behind Kendrick Lamar and Childish Gambino’s most defining records announces his debut album, a personal and collaborative project set for August.
Kyle Crownover makes sure Tyler Childers’ concerts run. On a break from the caravan, he released a handful of his own songs — co-writes about phone fatigue and religious unease.
