The eighth solo album from the former White Stripes frontman arrives as a dense, relentless 13-track barrage, channeling disorder through cannonade blues and coiled wordplay.
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The eighth solo album from the former White Stripes frontman arrives as a dense, relentless 13-track barrage, channeling disorder through cannonade blues and coiled wordplay.
A new interview finds Jagger playful yet reflective about mortality, the band’s future, and the psychological cost of a life onstage.
The newest preview from Segall’s forthcoming Drag City double-drop swaps classic-rock harmonies for a darker, riff-driven charge.
Produced again with Stuart Price, the 16-track album blends a continuous dance party with lyrical memories of New York’s underground—and a poignant comedown.
The Olivia Tremor Control’s debut turned the textures of a specific time and place into a sprawling psychedelic document. Three decades later, the record asks not only how it was made, but whether those conditions still exist.
In a new interview, the longtime Guns N’ Roses drummer counters rock’s most persistent reputation, describing a bandleader who looked after his people and led from the front.
The one-day event marks its first edition since 2022, moving into EartH on 3 October with two stages and tickets starting at £30.
The English songwriter assembles a direct, Neil Young-inspired set from home four-track tapes and studio work with producer Loren Humphrey, out September 4th.
The band’s first album in five years arrives alongside ‘The Mastodon in the Room’, a short film addressing the departure of founding guitarist Brent Hinds.
A security incident outside the venue left thousands of fans unable to enter, delaying the start of the final show by hours.
