A social media cover version leads to a real-world vacancy, as the Beach Boys’ latest chapter is written through digital discovery and analog tradition.
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A social media cover version leads to a real-world vacancy, as the Beach Boys’ latest chapter is written through digital discovery and analog tradition.
The K-pop group will play eight shows across the US and Canada next year in support of their latest album.
The new synthpop supergroup’s debut, comprised entirely of covers, feels like a technically proficient but emotionally vacant workshop.
The announcement of a third Yankee Stadium show extends more than a concert run; it formalizes a spatial claim, turning a borough into a monument.
The Baltimore songwriter builds sturdy, resonant rock from the raw materials of memory and emotional labor.
The Wolf Parade and Sunset Rubdown multi-instrumentalist returns with a solo single that finds a hypnotic, anxious groove.
This year’s Ivor Novello shortlist shows male songwriters outnumber women two to one, despite a strong showing from artists like Olivia Dean and Self Esteem.
After a lengthy absence, the iconic performer returns, sharpening her crude and confrontational tools against a world that has only grown more surreal.
The prolific songwriter behind two of pop music’s most enduring hits has died.
More than a punk icon, Nina Hagen is a permanent lesson in artistic freedom, a performer who weaponized her own strangeness into a liberating doctrine.
