The virtual band will embark on a 22-date tour next fall in support of their forthcoming album “The Mountain,” with the run bookended by Florida and a Halloween finale in Seattle.
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The virtual band will embark on a 22-date tour next fall in support of their forthcoming album “The Mountain,” with the run bookended by Florida and a Halloween finale in Seattle.
The New Zealand artist has confirmed her departure from the major label, framing the move as a deliberate step toward a new creative chapter.
The R&B artist will release their fifth studio album, ‘Kehlani’, later this month.
The festival moves to the historic Belmont Plateau in Philadelphia for its 2026 edition, featuring a joint headlining set.
A branded mask from Yeat and Nike, Young Miko fronts a Gap campaign, and new music from Momo Boyd.
Squarepusher returns with “K2 Central,” the lead single from the forthcoming album Kammerkonzert (Warp Records, April 10, 2026). Tom Jenkinson at his most focused and most strange.
ELUCID and Sebb Bash’s I Guess U Had To Be There is one of March 2026’s strongest rap releases, dense with tension, craft, and underground force.
At 40, SXSW still offers one of music’s most concentrated discovery environments. The difference is that discovery no longer arrives as one clean narrative, one dominant scene, or one obvious next big thing. There was a time when SXSW could be described in simpler terms. You went to Austin to catch the temperature of what …
James Blake’s Trying Times and Kim Gordon’s Play Me arrive in the same March release week, placing two radically different artistic languages into one unusually sharp conversation about independence, noise, authorship, and cultural presence in 2026.
Swiss-based creative director and producer Giorgio Fazio approaches Nothing but Simulation as more than a release, shaping a two-track EP around simulation theory, emotional instability, and a wider digital environment where sound, image, and perception begin to fold into one another.
