Jake Kiszka remembers finding a 1961 Gibson SG Les Paul in Chicago a decade ago. The price was $25,000, and the shop owner gave him a deal that changed everything.
Jake Kiszka remembers finding a 1961 Gibson SG Les Paul in Chicago a decade ago. The price was $25,000, and the shop owner gave him a deal that changed everything.
At a phone-free, invite-only show, Olivia Rodrigo and Weyes Blood premiered a devastating new song that appears destined as the next single from *you seem pretty sad for a girl so in love*.
The track, recorded with boygenius collaborator Catherine Marks, moves from limited 7-inch vinyl to digital platforms alongside a self-shot Tokyo lyric video.
The fast-rising country singer used her golden-hour slot to flip a predictable duet into a comedic set piece, with comedian Theo Von handling Riley Green’s part.
The band’s late-career sharpening continues on a track that refuses nostalgia and pulls its weight from the first bar.
A new piece examines how the enduring success of one flawless track may have ended Lee Mavers’ drive to release new music, leaving behind a one-album legacy and decades of silence.
The Gloucestershire group’s debut single “Unbelievable” was meant as a scene-setter. It ended up a Billboard No. 1, reshaped by Rick Rubin’s hand.
Four decades on, Adams details how a Seger hit shaped his most enduring anthem and why those first lines still stand out.
A fresh generation is discovering vintage US soul and the dance style that goes with it, but London and Bristol are now leading the nights that used to belong exclusively to the north.
The Nashville songwriter steps into Woody Guthrie’s tradition not as a revivalist but as a custodian, carrying forward a lineage that treats folk music as active citizenship.