The Austin quartet, named after a line from the 1988 classic “Indian Summer,” release their first full-length through Calvin Johnson’s revived Perennial imprint.
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The Austin quartet, named after a line from the 1988 classic “Indian Summer,” release their first full-length through Calvin Johnson’s revived Perennial imprint.
The Baltimore band’s cover of the pre-Rage Against the Machine hardcore track links two distinct chapters of uncompromising music.
The New York hardcore band’s third album for Loma Vista was made with producers Klas Åhlund and Kenneth Blume III, and foregrounds the idea of turning belief into action.
The Australian band’s latest single came together in hotel rooms and a tour van, and vocalist Nicholas Allbrook has some unglamorous advice for young rockers.
LSE researchers collaborate with AlphaTheta to track heart rate variability and self-reported anxiety during structured listening and dance sessions.
McCartney’s latest work flips the script, moving away from nostalgia while recording on the very gear that defined The Beatles.
The Quebec duo brought polka dots, pyramid heads, and relentlessly complex playing to a packed room, turning a first UK show into a memorable collision of musicianship and absurdity.
The punk poet asked a machine for a poem in his own style about Elvis. What came back left him floored. Clash paired him with alt-pop lyricist Gabi Garbutt to mark his new book, Have It.
The band extends its current touring cycle into next year with stops in Phoenix, Austin, Nashville, and beyond, routing through secondary markets alongside a rotating cast of support acts.
Audrey Kang pares Lightning Bug back to its solo origins on a new EP shaped by recent travels. The opening track, “Song for a…,” arrives with a hushed, searching calm.
