The follow-up to ‘Service Station at the End of the Universe’ questions the instinct to extract meaning from everything, with production from Max Rad and guests including Pretty Girl and Imogen and the Knife.
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The follow-up to ‘Service Station at the End of the Universe’ questions the instinct to extract meaning from everything, with production from Max Rad and guests including Pretty Girl and Imogen and the Knife.
Frank Beard’s death closes a 50-year chapter for ZZ Top, leaving behind one of rock’s most stable lineups and a final July 2021 performance captured on fan video.
Two October shows at Gazprom Arena place the rapper in another politically charged market, with a parliament member threatening to seek cancellation unless Ye publicly backs Russia’s war against Ukraine.
The Los Angeles trio treats its refusal to settle on one sound as a foundation, not a flaw. Across two albums, MindFree lets each song’s mood decide which influences come forward.
Organizers have published the complete schedule for Aftershock 2026, removing the guesswork around daily stage assignments and set conflicts.
Chris Stewart returns to Black Marble with sharper hooks and a direct question about artistic longevity — his own included.
The C+C Music Factory co-founder claims the rapper was a featured artist, not a member, and has used the group’s name without authorization since 1996.
Three Indonesian metal bands have turned to crowdfunding after being left stranded in Ireland, alleging they were ghosted by the party responsible for their engagement.
The London producer’s new record pairs restless momentum with the moments that stop it.
The country singer claims the White Stripes avoided political issues two decades ago, but the record says otherwise.
