Travis D. Johnson’s latest under the datewithdeath alias moves through fractured rhythms, home-computing nostalgia, and abstract drone, landing in the long-running experimental electronics catalog of Poverty Electronics.
Poverty Electronics has spent more than a decade building an unlikely corner of experimental electronics—one release at a time, without fanfare. The label’s latest, Apple Tree Brightness, comes from Travis D. Johnson under his datewithdeath alias, and it fits that quiet tradition.
Across six tracks, Johnson balances tactile warmth with digital friction. The opener, “Hir buttokez bay and brode,” stretches fourteen minutes of lilting loops and metallic plucks, found sounds flickering through a mix that feels physically present. The terse “(aar)” shatters that calm with fractured breaks and distorted pressure, yet even here tenderness leaks through. Later, “tttg-dyumed fS” revives the ghost of early home-computer loading screens—Sinclair ZX81-era tension translated into brittle electro-acoustic sound. Closer “(aee)” ends the set with industrial resonance and a sense of swaying drift rather than resolution.
Apple Tree Brightness doesn’t announce itself. It simply accumulates detail for anyone willing to listen closely. As with much of the Poverty Electronics catalog, the work’s value lies in its texture, not its spectacle. Available now on Bandcamp.
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