German composer Ulf Schütte’s Soft Blizzards will release the six-track cassette ‘Nasses Raster’ via Not Not Fun. Lead track “Froschprotokoll” pairs digital percussion with field recordings in a focused, playful mode.
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German composer Ulf Schütte’s Soft Blizzards will release the six-track cassette ‘Nasses Raster’ via Not Not Fun. Lead track “Froschprotokoll” pairs digital percussion with field recordings in a focused, playful mode.
The Kyoto-born, Oslo-based composer’s seventh album treats electronic form as a votive object. Nine tracks hang where a wooden plaque would go.
The saxophonist built a portable organ from salvaged church pipes in Northern Denmark, then shaped its breath into a psalm cycle with two vocalists.
On his Seoul-made DIY album, Insub Yoon builds a long instrumental weather system and lets a voice arrive only after the landscape has done the speaking.
The brothers’ collaborative album documents a slow build — analog processes, tape hiss, and error as compositional intent.
Ekzon’s self-released Ambient Series Volume 2 builds twelve pieces from drifting pads, sparse rhythm, and open air, treating atmosphere as a way to process contemporary urban life.
On Sierra de Luquillo, the Minneapolis duo build a four-movement piece from nocturnal field recordings, plant bioelectrical signals, and a rainforest under ecological stress.
The Italian sound artist strips his compositions down to essential behaviours, letting a quiet human warmth surface in the middle of the album.
The ato.archives release uses shifting electronic textures and abstract drones to build an imagined world that sits somewhere between technological fantasy and psychological unease.
Built from analog tape loops kept from the Arrival and The Theory of Everything sessions, the album is an elegy approved by Jóhannsson’s family.
