In the late 1970s, a casual musical gesture from Paul McCartney is said to have prompted John Lennon’s final, decisive return to the studio.
Menu
In the late 1970s, a casual musical gesture from Paul McCartney is said to have prompted John Lennon’s final, decisive return to the studio.
A fashion campaign’s invocation of ‘community’ reveals not a shared space, but a transaction of identity, asking what we purchase when we buy into the idea of togetherness.
Yeat’s New York Times announcement for ‘ADL’ is less a traditional rollout and more a statement on the new geography of musical prestige.
The duo’s new EP ‘EPEEPEE’ arrives with a playful, unpretentious energy, recently earning them a support slot for Sleaford Mods.
The Swedish producer and Primal Scream’s frontman converge on ‘Strange’, a track from the expanded edition of ‘Illegal Hit’.
Pet Shop Boys’ 1986 debut presented not a manifesto, but a perfectly engineered chassis, built to carry three decades of cultural inquiry.
On her fourth album, the Australian songwriter’s signature style becomes a deliberate practice, moving beyond doubt into a settled craft.
The artist known as OHYUNG builds a world where abrasive noise, tender melody, and radical community are inseparable parts of a single practice.
A story of forced creation, the Shaggs’ music exists outside of taste, a raw document of obedience that became an accidental monument to artistic purity.
The Minnesota band’s new singles map a terrain where whispered intimacy and country-tinged grandeur share the same atmospheric pressure.
