The former Enhypen member begins reintroducing himself on his own terms with a two-track project shaped by rock and a push for unfiltered expression.
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The former Enhypen member begins reintroducing himself on his own terms with a two-track project shaped by rock and a push for unfiltered expression.
A Plugin Week 2026 guide demonstrates that the chopped reverb of The Prodigy and the aggressive dubstep bass of Skrillex can be crafted using only Logic Pro’s built-in effects and synths.
A strange video of the Anthrax and Megadeth bassists riffing on death surfaces while Anthrax tours with a temporary drummer.
You Seem Pretty Sad for a Girl So in Love debuts with 485,000 units, topping Drake and securing the year’s largest sales frame for a solo artist.
The Los Angeles musician’s second release turns personal wreckage into a stripped-down, soulful battle cry that channels ’80s quiet storm and classic R&B.
The Vancouver band’s debut album, co-written by bassist Gabe Jacob Ferman before his death in January, stands as a stark, unaltered tribute to a late member’s artistry.
Thirteen years in, Smileswithteeth stretches beyond its electronic foundations, testing the edges of pop structure and rock texture without abandoning the project’s core warmth.
The Puerto Rican rapper drops his first fully trap album, leaning into the slogan that has defined his career.
The death metal vocalist made an appearance during a recent Texas stop, linking two distinct generations of American metal.
The genre-fluid singer will take the late-night desk in August, a booking that signals his continued crossover beyond Nashville.
