The band won’t be at the Los Angeles ceremony this November, and it turns out the Australian tour dates were never the real obstacle.
The band won’t be at the Los Angeles ceremony this November, and it turns out the Australian tour dates were never the real obstacle.
Geddy Lee and Alex Lifeson return to the stage for the first time in 11 years with a reimagined rhythm section—and every seat at Madison Square Garden is already spoken for.
Hans Joachim Irmler, Jean-Hervé Péron, Gunther Wüsthoff and Werner “Zappi” Diermaier will each release a solo LP on Bureau B, tracing divergent paths from the krautrock group’s collective legacy.
Brian Wilson’s insistence on rewriting the opening line of a new song led to a rare creative clash with lyricist Tony Asher during the Pet Sounds sessions in early 1966.
The Welsh vocalist, born Gaynor Hopkins, leaves behind a signature hit that began as a vampire love song and became one of pop’s most durable power ballads.
The former Cradle of Filth and Dimmu Borgir drummer faces a rare condition with a reported 50% survival rate.
The Scottish singer-songwriter returns with a clear-eyed reflection on how family bonds shift over time, taken from her forthcoming Dirty Hit EP.
The Lisbon trio tightens their krautrock-industrial hybrid into a clipped, relentless charge, trading longform improvisation for raw immediacy.
After a legal threat from a pachinko machine manufacturer, Jonáš Gruska’s covert field recordings became something more elusive — a meditation on listening, not documentation.
The Denver doom metal band offers a list of the saddest songs they know, reflecting the emotional weight that defines their own work.
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