The Memphis rapper’s fourth solo album is a 20-track study in unwavering formula—flex-heavy bars, unhurried cadence, and the weight of a label now resting squarely on his shoulders.
The Memphis rapper’s fourth solo album is a 20-track study in unwavering formula—flex-heavy bars, unhurried cadence, and the weight of a label now resting squarely on his shoulders.
After a long stretch away from the studio, the Providence-via-New York punk band returns with a record that sharpens its mix of hardcore, Latin groove, and revolutionary intent, anchored by Guy Picciotto’s production.
The NITROUS TOUR extends the OCTANE era with a run of US dates this summer before moving through Europe this fall.
Brady Ebert, former guitarist for Turnstile, will stand trial beginning October 5th in Rockville, Maryland, for the alleged vehicular assault of the band’s singer’s father.
Mark Nelson returns to his Pan•American project with a solo LP that maps the liminal space of airports and airplanes onto the transformations of family, loss, and the long road home.
The strange, solo-driven origin of Acheron’s 1992 debut only deepens the unnerving force of this blackened death metal document.
The guitarist’s tribute traces a career shaped by a record man who trusted him early, and trusted him again when it counted most.
Mikey Cox offers a terse but telling update on his health, as the band continues its run of live dates.
The Filter frontman, whose industrial rock has often doubled as political commentary, explains why he’s now more guarded in public.
The German retail giant is challenging a default judgment Fender is using to target S-style guitars, arguing the dispute affects industrywide diversity and innovation.
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