The producer behind PinkPantheress’s global No. 1 “Stateside” remix discusses the online debate over its tuning—and why he sees it as a necessary pushback against AI perfection.
The producer behind PinkPantheress’s global No. 1 “Stateside” remix discusses the online debate over its tuning—and why he sees it as a necessary pushback against AI perfection.
The Thomann house brand’s new high-end series includes crashes, rides, and hi-hats, with a pre-configured set priced at £615.
A loose network of producers is knitting regional folk styles, temple melodies, and muay thai rhythms into bass-heavy, experimental electronics—quietly redefining what the country’s club music can be.
The My Morning Jacket frontman returns to solo work with *Wowed Out*, an album stitched together from years of sessions with composer Brian Reitzell.
Fronted by artist Gregg Deal, the band sharpens its critique of American myths on Wagon Burner, an album that pairs caustic humor with hardcore urgency.
The Australian singer-songwriter shares a new single that hides emotional violence beneath warm, fuzzy sonics, paired with a video and a run of UK dates.
The one-day event, set for August 2026 in Southern California, pairs a multi-generational lineup with donations to a range of women’s advocacy organisations.
The second release on Craft Services pulls back from the debut’s polish to reveal the raw components underneath.
Legal documents show the late singer’s son will receive the full $29 million estate, held in trust until he turns 18.
The Memphis rapper’s fourth solo album is a 20-track study in unwavering formula—flex-heavy bars, unhurried cadence, and the weight of a label now resting squarely on his shoulders.
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