Inside the fortress moat, a delayed set and a shamstep protest gave the night its real shape. Massive Attack’s legacy of resistance found fresh urgency.
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Inside the fortress moat, a delayed set and a shamstep protest gave the night its real shape. Massive Attack’s legacy of resistance found fresh urgency.
As Donald Trump turned 80, the New York Times asked notable octogenarians about the best and worst of entering that decade. Dylan, now 85, gave an unsparing reflection on clarity, regret, and the peculiar stillness of time.
The progressive metal vocalist and guitarist weighed in during a podcast appearance, treating an absurd online moment as a small cultural valve.
The American artist, known for his viral meme rap and relentless output, was among several passengers who died in a mid-air crash involving two helicopters.
The band unearthed the title track from their 1977 album during the fourth and final night of their Kia Forum run, a song that had not been performed live since the Pinkpop festival 47 years ago.
As Trivium’s eleventh studio record enters the mixing stage, frontman Matt Heafy is already positioning it at the top of their catalog—a familiar pledge from artists deep into their careers.
The Manchester project returns to the circular source of its sound, where soft drones and shifting harmonies replace narrative and every timbral shift holds the weight of a change in climate.
Bono hailed Springsteen as “America” in a speech tracing a five-decade bond. After the presentation, the honoree, the U2 frontman, and Patti Smith closed the Tribeca night with a shared anthem.
The JUNO-winning singer-songwriter brings songs of alienation to Toronto’s W Hotel on June 14, with a new full-length due this fall.
Before Beatlemania, a gentle instrumental from a Somerset-born trad jazz musician quietly topped the US charts. The accidental origins of Acker Bilk’s “Stranger on the Shore” trace back to a soldier’s boredom overseas.
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