The Chicago singer’s fourth album treats a lost social grace as pop architecture, with the fault line buried under the chorus.
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The Chicago singer’s fourth album treats a lost social grace as pop architecture, with the fault line buried under the chorus.
A fourth Mercury Prize shortlist nod for Florence Welch arrives alongside a sixth album shaped by near-death, fame and the space between the physical and the supernatural.
A childhood run of letters becomes the plea at the center of her new album, then refuses to settle.
The Last Dinner Party’s keytarist takes the lead on a debut made with composer Nathen Durasamy, a record built around the discomfort of wanting an audience.
The Sydney trio turn a fortune teller’s oldest crease into a late-night hook about wasted time, sharp photographs, and the strange work of seeing yourself from the outside.
The deluxe edition adds two session outtakes, a live staple, and a reimagined duet with Natalia Lafourcade.
The young songwriter from Leamington Spa and Shanghai turns a private mental landscape into something architectural. My Morbid Reverie is out now as her most focused statement yet.
René Kladzyk returns with a decade-spanning single ahead of her self-released album, due October 2.
Live on the Moon continues Ron and Russell Mael’s long refusal to separate the music from the universe built around it.
After last year’s self-leaked, phone-recorded LP, the songwriter returns with a Congleton-produced set and a single about awkwardness and failed cool.
