The Polish black/death metal band set a September 4 release date for their first album and premiered a new track built on dense, unhurried aggression.
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The Polish black/death metal band set a September 4 release date for their first album and premiered a new track built on dense, unhurried aggression.
Philadelphia’s Devil Master sharpen their gothic-punk black metal into six tracks on Bloody Dreams, keeping the dread intact and the songs lean.
On her third album, Hulder moves from solo construction to a full band without softening the anger that has defined her work.
The Belgian band’s latest album finds them pulling black metal and post-punk into the same room, with atmosphere remaining the only constant across their shifting forms.
The Norwegian black metal vocalist left the stage almost immediately, with visible signs suggesting an off night from the start.
The third Hulder album works within the established vocabulary of black metal, refining the band’s sound through disciplined arrangement and a commitment to subtraction rather than novelty.
The family’s years-long struggle with illness and hardship had been chronicled openly by Jameson. A fundraiser has been launched to help with final expenses.
The Swedish black metal band issued a short statement on the death of ex-bassist Roger Svensson, offering only the phrase, “Eternal is the fame of the dead.”
The remastered edition of the 2000 debut pulls a knotty piece of Belgian extreme metal history back into circulation, rooted in local folk tales and second-wave atmospherics.
Spring 2026 brought a powerful farewell from At the Gates and the first Bosse-de-Nage album in eight years, two releases that reminded us why these bands matter.
