German composer Ulf Schütte’s Soft Blizzards will release the six-track cassette ‘Nasses Raster’ via Not Not Fun. Lead track “Froschprotokoll” pairs digital percussion with field recordings in a focused, playful mode.
German composer Ulf Schütte’s Soft Blizzards will release the six-track cassette ‘Nasses Raster’ via Not Not Fun. Lead track “Froschprotokoll” pairs digital percussion with field recordings in a focused, playful mode.
The Kyoto-born, Oslo-based composer’s seventh album treats electronic form as a votive object. Nine tracks hang where a wooden plaque would go.
A Charleston bedroom project turns five hard years, a veterinary goodbye, and crushed analog noise into a debut EP that treats grief as signal rather than subject.
The ato.archives release uses shifting electronic textures and abstract drones to build an imagined world that sits somewhere between technological fantasy and psychological unease.
The experimental electronic artist’s new album uses blue as a structural principle, moving between piano, abrasion, and abstraction without settling into a single mode.
Portland-Seattle duo Latest Fad delivers its third album and first for an outside label, launching the new imprint Durable Oxide with a restrained, electroacoustic long player.
Sasu Ripatti returns with vd5, the first release credited to the Vladislav Delay Quintet, a format that places his percussion-rooted compositions in a collective setting.
The album departs from the bright contrasts of 2023’s Yuri, opting for a narrower, monochrome palette of minute timbral shifts and unrelenting repetition.
The Osaka-born, France-based artist returns to the label where she first surfaced 25 years ago, building an album around the loss of a deaf cat.
The third release in greyfade’s FOLIO format refuses to separate a nine-track electronic album from a hardcover book of experimental prose, treating the physical object as an indivisible artistic statement.