Anna Meredith’s score for Wicker arrives 30 October, led by ‘Escape On Cart’ — and it trades her familiar electronic palette for recorders. A new studio album, her first since FIBS, follows in February 2027.
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Anna Meredith’s score for Wicker arrives 30 October, led by ‘Escape On Cart’ — and it trades her familiar electronic palette for recorders. A new studio album, her first since FIBS, follows in February 2027.
The lead single from the third Dune soundtrack opens with the film’s star humming a solitary line before the arrangement swells into a Fremen war chant. Zimmer wrote and produced the track; the film arrives December 18.
The composer behind Grouper gathers two recent short film scores into a single album, out November 27 on kranky.
The ambient duo’s second collaborative release of the year shifts from their own sonic freedom to the structured frame of a life story.
The HAIM multi-instrumentalist partners with Christopher Stracey to give a dystopian dating satire an unexpectedly smooth, dream-pop pulse.
The duo’s new album summons the textures of 1960s and 1970s film scores, arranging instrumental sketches as if they were scenes from movies that never existed.
The composer’s third collaboration with Christopher Nolan balances ancient lyres and gongs with modern production—and a closing track featuring Scott and James Blake.
Dan Deacon details the score for Netflix’s upcoming comedy, releasing “Brothers” with Eric André on upright bass ahead of the June 26 soundtrack.
French electronic producer Rone spent months at sea transmitting music to whales for his new score, developed with scientists and bioacousticians. The resulting album raises harder questions than it answers.
Christopher Nolan told the composer to sidestep a traditional orchestra. Göransson’s sonic palette for the ancient Greek epic includes bronze gongs, modern synthesizers, and a string instrument tied directly to the protagonist’s weapon.
