The eighth solo album from the former White Stripes frontman arrives as a dense, relentless 13-track barrage, channeling disorder through cannonade blues and coiled wordplay.
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The eighth solo album from the former White Stripes frontman arrives as a dense, relentless 13-track barrage, channeling disorder through cannonade blues and coiled wordplay.
The newest preview from Segall’s forthcoming Drag City double-drop swaps classic-rock harmonies for a darker, riff-driven charge.
The Patti Smith Group guitarist and *Nuggets* curator steps out with a record that folds country, garage rock, and psychedelic energy into a single, personal statement.
The Danish band trades complex arrangements for garage rock immediacy on For Love of Grace & the Hereafter, a record that sounds like the work of people who finally stopped trying so hard.
The Melbourne band ended a six-year silence with a self-released album that sharpens their oblique brand of rock ‘n’ roll.
The Monmouthshire duo return with a sharper, stranger set of garage rock that balances deadpan humor against an expanding musical reach and a newfound interest in body horror.
On their fourteenth album, The Black Keys turn to a set of covers and, in the process, recover something more valuable than novelty: touch, weight, and the friction that once made their music feel alive
The Patti Smith Group guitarist and ‘Nuggets’ compiler prepares his debut solo record for July release on Yep Roc.
The Tacoma garage rock veterans return with “Make It Mine,” a raw, unvarnished statement previewing their first full-length since 2001, due via K Records and their own Wig Out!
The musician delivered live renditions of “Derecho Demonico” and “G.O.D. and the Broken Ribs” as the musical guest.
