The fifth Bleachers album leans on familiar sounds but offers few reasons to choose it over the band’s sharper earlier work.
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The fifth Bleachers album leans on familiar sounds but offers few reasons to choose it over the band’s sharper earlier work.
The 17-year-old California songwriter and producer puts a formal frame around years of self-recorded output, offering six tracks that move between folk intimacy and electronic texture.
On their new single, Queen Anne construct a knowing unreliable narrator over shifting acoustic-to-groove textures. The result is precise, playful indie pop that treats performance as part of the story rather than something to hide.
The Austin quartet, named after a line from the 1988 classic “Indian Summer,” release their first full-length through Calvin Johnson’s revived Perennial imprint.
The Los Angeles trio marks the arrival of their third LP, Dancing on the Wall, with a visual for “Eastside Girls” and a run of North American shows featuring hemlocke springs as support.
The Brooklyn songwriter and sideman releases a solo album that draws poetry from thrift shopping and subway logic.
The Australian artist’s new single dissects the aftermath of a first love with a quiet intensity that builds toward a grand, cathartic release.
The Smashing Pumpkins frontman made a surprise appearance during the Spanish artist’s set, performing the 1995 single.
The band performed their first two albums in full at the Royal Albert Hall, reanimating the detailed world of their early work.
The Irish songwriter’s first single of 2026 is a tightly-wound study of internal turbulence, built on a foundation of stark, percussive piano.
