The singer detailed how she and Jack Antonoff approached writing “I Knew It, I Knew You” as a continuation of Randy Newman’s film music legacy.
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The singer detailed how she and Jack Antonoff approached writing “I Knew It, I Knew You” as a continuation of Randy Newman’s film music legacy.
Six years after Punisher, Phoebe Bridgers returns with Lost Weekend, an album that works through private loss and new romance with a more expansive sound.
The Paramore frontwoman used her headlining set to premiere material from her new solo album “Ego Death at a Bachelorette Party,” give long-delayed live debuts, and transform the stage into a rotating cast of collaborators.
“I Knew It, I Knew You” is a country-tinged cut that ties Pixar’s cowgirl to Swift’s own beginnings, without nostalgia for its own sake.
VFX supervisor Thomas Jordan revealed at SXSW London that a “decoy version” of the animated film was used to keep “I Knew It, I Knew You” a secret from most of the production team and early audiences.
The new song, written with Jack Antonoff, draws on Jessie’s storyline and Swift’s own childhood nostalgia, arriving alongside a tightly run merch strategy.
Jack Antonoff’s fifth Bleachers album turns a phone setting into a lens for examining fame, friendship, and the spaces where private life meets public record.
The song “I Knew It, I Knew You” sees Swift rewriting the sound of the Pixar franchise with Jack Antonoff. Three CD editions and a June 5 release leave no doubt it’s a deliberate statement.
The fifth Bleachers album leans on familiar sounds but offers few reasons to choose it over the band’s sharper earlier work.
The new CVT Baritone and Baritone Jet take the brand’s mid-priced range toward doom, sludge and metal, without losing the build details that earned these models their long-running reputation.
