Inside the fortress moat, a delayed set and a shamstep protest gave the night its real shape. Massive Attack’s legacy of resistance found fresh urgency.
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Inside the fortress moat, a delayed set and a shamstep protest gave the night its real shape. Massive Attack’s legacy of resistance found fresh urgency.
The stadium production has grossed over $440 million this year, as demand forces an expanded Asian itinerary and a five-night Wembley residency.
Julian Casablancas cracked Kanye jokes, premiered “Falling out of Love” in full, and opened with “Killing Lies” for the first time in four years, while Nick Valensi sat out the set.
The long-running Canadian trio delivered a performance on the “Fifty Something Tour” that acknowledged its past without collapsing into nostalgia.
Rush’s residency took an ambitious turn on night two as the band performed the complete 20-minute prog epic for the first time in nearly three decades, alongside a drastically reshuffled setlist and a returning Aimee Mann.
The Welsh singer behind “Mercy” will play an intimate London show this July, her first since retreating from public life following a violent assault.
The hyperpop artist aired her grievances on Instagram, then a fire alarm interrupted the set—but the show went on.
In Oakland, the singer returned to the stage for the first time since 2019, weaving live debuts and catalog highlights into a 23-song set.
Opening night in Oakland inverted old stadium rituals. Before the first chorus of “Eternal Sunshine,” Grande asked 17,000 people to stop screaming and let her build a live vocal loop from scratch.
The second “Music America” concert brought together rock history, hip-hop, and a Dylan rarity, blurring the lines between curator and performer.
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