The P-pop group becomes the first Filipino and Southeast Asian act on a Lollapalooza bill, using the moment to be seen as artists first, not curiosities.
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The P-pop group becomes the first Filipino and Southeast Asian act on a Lollapalooza bill, using the moment to be seen as artists first, not curiosities.
As festival behavior descends further into bodily logistics, a sealed bag of urine passed overhead at Chicago’s Grant Park.
After heavy rain delayed entry, some attendees turned the sodden Grant Park grounds into a site of spontaneous, unsanctioned competition.
Mud, downpour, and a stacked lineup turned the Chicago festival into a space where new stars and legacy acts alike proved their relevance.
Stormy weather scrapped the rapper’s birthday performance, yet he still turned up at the Chicago festival and surprise-released *Maverick “Almost Forever”*.
Chicago’s Grant Park saw a day of shifting registers on Saturday, as JENNIE, Geese, Ethel Cain, Wolf Alice, and Clipse pulled overlapping crowds to the festival’s second day.
Charli xcx’s pop-focused headline set and a surprise appearance by Olivia Rodrigo with Smashing Pumpkins defined the festival’s second night in Chicago.
A sudden downpour during the live premiere of “House” turned Charli xcx’s headlining set into a moment of unlikely theatrical timing.
A new scene from Gregg Araki’s film draws more attention to the pop star’s vocal delivery than her acting, while Lollapalooza showcases her evolving live show.
The appearance, nearly upstaged by an airport sighting, extends a pattern of Rodrigo paying direct homage to ’90s alt-rock figures onstage.
