The Italian composer’s debut album, recorded with analogue and modular synthesis in the Tuscan Apennines, treats personal loss not as a narrative to be resolved but as a landscape to inhabit.
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The Italian composer’s debut album, recorded with analogue and modular synthesis in the Tuscan Apennines, treats personal loss not as a narrative to be resolved but as a landscape to inhabit.
The third release in greyfade’s FOLIO format refuses to separate a nine-track electronic album from a hardcover book of experimental prose, treating the physical object as an indivisible artistic statement.
The Baltimore synthesist builds worlds from the ground up, moving from industrial Eurorack experiments to the spacious architectures of the Buchla system.
