Solid State Logic follows its SSL 2 and SSL 2+ with a smaller desktop interface built for producers who record in the box and need a direct signal path.
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Solid State Logic follows its SSL 2 and SSL 2+ with a smaller desktop interface built for producers who record in the box and need a direct signal path.
The German developer’s official 6.1 release turns Sampler into a deeper production tool, adding transient-based slicing, automatic pitch mapping and a new spectral playback mode.
A decade of touring forced the house mainstay to abandon the comfort of a full studio. The result is a production process built around laptop speakers, a QWERTY keyboard, and deliberate limitation.
A SubmitHub analysis of over a million tracks points to significant AI use in new music, though the detection tool’s own findings remain contested by many artists.
A quiet room and one careful placement give engineers more control than a dozen plugins.
Browser-based music tools have moved beyond novelty. OpenDAW, a new web-native DAW, offers instruments, recording, and a platform for building custom music applications — no download required.
The songwriter’s session at the legendary London studio offers rare access, focusing on self-sufficiency behind the board.
A flood of negative online content is turning production learning into a minefield of self-doubt. The approach works because it preys on insecurity—but the cost is creative confidence.
The latest annual update adds practical modulation and sequencing tools, but stem separation and a new vocal synth show that some additions still need work.
Few dynamics processors are equally effective on vocals, instruments, submixes, and full masters. Oeksound’s Soothe has been the exception for a decade, and the new Soothe3 adds a low-latency mode aimed at live engineers.
