After a wave of online outrage over her babydoll dresses, Olivia Rodrigo spoke on The New York Times’ Popcast about the dangerous double standards at play and the cultural sickness behind the backlash.
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After a wave of online outrage over her babydoll dresses, Olivia Rodrigo spoke on The New York Times’ Popcast about the dangerous double standards at play and the cultural sickness behind the backlash.
The 13-track album, out June 12, separates into contrasting halves, one for love, one for what lingers after.
A new tutorial reconstructs the multi-oscillator synth patch that gives the track its euphoric pulse, pointing to Minimoog-style architecture as the source.
The track arrives with a video set in a cardboard hospital, and the album is due June 12 via Geffen Records.
Three songwriters return with tracks that pull mainstream form in opposite directions, from fractured electronics to raw vocal confession.
The second single from her June album is a vulnerable jealousy ballad that builds to a panic, with strings nodding to “Tonight, Tonight.”
The second single from Rodrigo’s upcoming album finds her playing a nurse in a video that deepens her connection to the band The Cure. Robert Smith has been listening.
After the first two Boston dates sold out during pre-sale, a third show was added at TD Garden. The remaining tickets on secondary markets already reflect the tour’s high demand.
The February 2027 run grew after pre-sale sellouts, with general ticket sales opening May 7.
At a phone-free, invite-only show, Olivia Rodrigo and Weyes Blood premiered a devastating new song that appears destined as the next single from *you seem pretty sad for a girl so in love*.
