On Trickster, MonDeGos build a debut from heavy guitars, piano, and recycled masks. The record is restless, sometimes crowded, and more interesting when it stops explaining itself.
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On Trickster, MonDeGos build a debut from heavy guitars, piano, and recycled masks. The record is restless, sometimes crowded, and more interesting when it stops explaining itself.
The debut from Acid Brain moves through prog, sludge, stoner rock, and free improvisation while keeping every turn tied to a seven-part fantasy narrative.
The endorsement marks a rare public gesture of continuity for a band whose identity was built on a singular, irreplaceable chemistry.
The Brazilian shapeshifters trade zeuhl fury and folk delicacy for the sunlit complexities of classic progressive rock on their third album.
The guitarist doesn’t close the door on returning to the fold, but era, lineup, and the concept of “reformation” remain unsettled questions.
Never a chart hit, the 1975 track became the band’s final on-stage message across decades of encores and farewells.
Geddy Lee and Alex Lifeson return to the stage for the first time in 11 years with a reimagined rhythm section—and every seat at Madison Square Garden is already spoken for.
After co-writing and singing the band’s most enduring hits, Roger Hodgson found himself in a creative partnership that had stopped working. The success of *Breakfast In America* only deepened the rift.
The band returns to the format with a fan-curated live reinterpretation of their latest studio album, due this September.
Tony Levin and Pat Mastelotto re-engage with King Crimson’s 1995 industrial-prog pivot on Let’s THRAK Again, a two-mix release that doesn’t cover the source material so much as rewrite its sonic vocabulary.
