The Brazilian shapeshifters trade zeuhl fury and folk delicacy for the sunlit complexities of classic progressive rock on their third album.
The Brazilian shapeshifters trade zeuhl fury and folk delicacy for the sunlit complexities of classic progressive rock on their third album.
The guitarist doesn’t close the door on returning to the fold, but era, lineup, and the concept of “reformation” remain unsettled questions.
Never a chart hit, the 1975 track became the band’s final on-stage message across decades of encores and farewells.
Geddy Lee and Alex Lifeson return to the stage for the first time in 11 years with a reimagined rhythm section—and every seat at Madison Square Garden is already spoken for.
After co-writing and singing the band’s most enduring hits, Roger Hodgson found himself in a creative partnership that had stopped working. The success of *Breakfast In America* only deepened the rift.
The band returns to the format with a fan-curated live reinterpretation of their latest studio album, due this September.
Tony Levin and Pat Mastelotto re-engage with King Crimson’s 1995 industrial-prog pivot on Let’s THRAK Again, a two-mix release that doesn’t cover the source material so much as rewrite its sonic vocabulary.
The band pushed two Dickies Arena dates to mid-July following a doctor’s order for Lee to rest, marking the second schedule disruption in a week.
After weeks of cryptic site updates and live track voting, the band adds another interactive layer—three alternate covers, with voters given the chance to have their names printed in the credits.
Rati Oniani’s new album doubles as a soundtrack to a documentary about his grandfather, weaving Svaneti folklore and progressive experimentation into an archive of personal memory.
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