The Norwegian band’s third album works inside country conventions while Embla Karidotter’s lyrics push back against the genre’s outlaw-cowboy inheritance. It arrives from a scene, not from Nashville.
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The Norwegian band’s third album works inside country conventions while Embla Karidotter’s lyrics push back against the genre’s outlaw-cowboy inheritance. It arrives from a scene, not from Nashville.
On a Nashville rooftop, Miranda Lambert’s new label sponsored a rhinestone-studded, 21+ drag brunch — a quiet test of what space queer artists and allies can carve out in country music’s largest festival.
